![]() ![]() Can you do this in mulititrack and mix down later or is this a direct to two track exercise. I'm with PTR the less microphones you can use the better off the final project will be. I was wondering if anyone had any suggestions as to what mics (more the type of than specific models (we have a few)) to use, and where exactly to place them. I may, may, have 18 mic inputs at my disposal. Past that, I was thinking of just doing a stereo technique on the left, center, and right, and then maybe maybe Micing the timpani. I was thinking of starting with an ORTF in the center and some side omnis. I think I will have 12 mic inputs at my disposal. Lastly, stage right, there are 3 marimbas, one behind the other, a xylophone, more bells and bongos behind that, and lastly toms and congas. In the middle, there is a 5 octave marimba, a gong, some toms and nipple gongs, and the timpani behind that. ![]() Looking stage left, there are vibes next to wood blocks, then vibes and crotales behind that, then bells, snare, chimes and more bells, and a piano behind that They are playing a piece which uses almost every piece of percussion we have. I wanted to get as much insight/advice as possible before then. I am doing a recording of a percussion ensemble concert on Saturday and one of the pieces is huge. ![]() I am an audio engineering student and I was looking for some insight. ![]()
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